SYNOPSIS
“KAKANDA” is a gripping film that blends suspense, action, romance, violence, and humor. At its core, it delves into the themes of ignorance and stigma.
Mairama, an eighteen-year-old, embodies beauty, innocence, and a deep reverence for tradition. Raised in a family of illiterates, she is unable to differentiate between illness and supernatural afflictions. Like generations before her, Mairama is compelled to accept the proposal of the first suitor, regardless of his age or status. Tragically, her betrothed, Ahmadu, is terminally ill, casting a shadow over their future together.
The narrative begins in a local boxing arena, where Amadu faces off against his opponent in a fierce duel, ultimately meeting defeat. As the story progresses from the bustling arena to the Tukuba, a beloved local suya spot, it becomes evident that Amadu is exhibiting symptoms of an undisclosed illness, later revealed to be Hepatitis B. Conversations reveal Amadu’s decision to return to his village, where he is revered as a hero and admired by many village girls.
Nestled along the banks of the Niger River, the village of … is primarily inhabited by fishing communities and various other tradesmen. Fishing activities thrive in the river, with some fishermen using gourds and others utilizing canoes to cast their nets. Amidst this backdrop, we are introduced to Junaidu, the central male character, as he navigates the river on a gourd.
Upon reaching the riverbank, Junaid’s distinct gait, coupled with his serious demeanor, sets him apart, though he is often mistaken for a hardened criminal. Engaging in commerce, Junaid fries some of his catch to sell at the village square, where he frequently encounters Maryam, a popular and admired figure among the villagers.
Maryam, cherished for her beauty and jovial nature, finds herself courted by numerous suitors, including Junaid. Despite his persistence, Maryam rejects Junaid’s advances due to his physical disability and the stark contrast between his status and Amadu’s heroism. Raised in a community with limited opportunities, Maryam’s aspirations are simple: to marry her love and raise a family.
The wedding between Maryam and Amadu is a vibrant celebration, steeped in tradition and joy. However, as Amadu’s illness progresses, he decides to return to the city to resume his suya business. Tragically, he succumbs to his ailment, leaving Maryam widowed and pregnant.
Lacking access to adequate medical care, Maryam endures her pregnancy without antenatal support. When she goes into labor, prolonged suffering leads the villagers to suspect witchcraft, though this is ultimately disproven. Despite the safe delivery of her stillborn child, Maryam discovers she has developed Vesicovaginal Fistula (VVF), a condition causing uncontrollable urinary leakage.
Rejected by her community and even her own family, Maryam endures isolation and stigma, confined to a separate room due to her condition. In her despair, she finds solace in Junaid, whose unwavering love and support inspire hope for a better future.
With Junaid’s assistance, Maryam undergoes successful surgery to repair her VVF, restoring her dignity and quality of life. Grateful for his devotion, Maryam embraces Junaid as her savior and declares him her entire world, finding love and acceptance in the face of adversity.
The production of Kakanda is spearheaded by a creative and experienced producer right from inception to completion thereby infusing his vision and spotting financial viability of the production. The producer ensures providing the Director with all necessary resources required to realize the vision of the film.
A director is pivotal in shaping a good movie. In Kakanda, the director bridges the gap between the script and the screen by overseeing the film’s technical aspects, and ensuring that all elements are harmonized to realize his vision.
A COMPELLING STORY
A good script is the key to a good story. The Kakanda script carries the dialogue and directs the actions, defining the entire film. Kakanda’s script is nuanced and well-developed, creating a cohesive story with a well-defined beginning.
THE SYNERGY BETWEEN THE DIRECTOR AND THE PRODUCER
In Kakanda, exist synergy, teamwork, open-mindedness and adventure of finding solutions and prevailing problems
STRONG CHARACTER AND CHARACTER DEVELOPMENTS
Characters are the heart and the soul of the film. kakanda has emotional resonance between its characters and its audience that make it a great movies.
GOOD PACING
The rhythm of kakanda story and the speed at which it was progresses will keep the audience engaged, ensuring the pay attention to the story without getting lost or bored.
BENEFIT OF USING PROFESSIONAL VIDEO PRODUCTION EQUIPMENT
Using professional video production equipment offer creativity and flexibility no matter where you are shooting. In kakanda, we captured cinematic, angled and unique shots with minimal additional effort by using state of the art of equipment.
RELATABILITY
Another important aspect that contribute to a film success is it is relatability. Whether its the main character, the story or the themes explored. Kakanda makes the audience not to be able to see.RELATABILITY:- Another important aspect that contribute to a film success is it is relatability. Whether its the main character, the story or the themes explored. Kakanda makes the audience not to be able to see.
In kakanda,we went far and wide scouting for the right location that matches the story.one of the great things about this films is ability of team to transport audience to far and remote places.
Originality
originality is a breath of fresh air. Kakanda provide something new, unexpected and a unique perspective that challenge.
CREATIVE PRODUCER
The production of kakanda is spearheaded by a creative and experience producer right from inception to completion
VISIONARY DIRECTOR
The director is pivotal in shapping a good movie, In kakanda, the director bridge the gap between the screen and the screen by over viewing the films technical Aspect.
KAKANDA CAREW/ARTSITES
Sadiq Ahmad JINAIDU
Amina A. Shehu (Lulu) MAIRAMA
Sadiq Sani Sadiq AMADU
Asma’u Sani TABAWA
Ado Ahmad Gidan Dabino MALAM ILU
Ladin Cima GOGGO (KAKAN MAIRAM)
Shehu Hassan kano MAHAIFIN JINAIDU(M.IBRAHIM)
Lubabatu Madaki DELU
Farida Adamu DELA
Abubakar Waziri (Bado) KAWU ALI
Auwal Marshal BABAN ADAMU
Fadila Usman UWA
Musa Kallah KAWU DAN JUMA
Hajara Usman MAHAIFIYAR ADAM
Fati Abdullahi KANDE
Fati Hamza Adam INNO
FA’IZA Abubakar INDO
Hasina Iliyasu HALIMA
Rabi Sufi UNGON ZOMA
Inuwa Iliyasu MALAM SHEHU
Bilki Abdullahi LADI
Iliyasu Muhammad Boka SARKIN MAYU
Nura Sharrif Muhammad TALLE MAI NAMA
Surajo Ahmad Suji SADAU
Tijjani Abdullahi Asese CANGE
Abdullahi Muhammad Dausayi ISUHU
Umar Labaran Gombe ADA
Duduwa Muhammmad KAKAR JINAIDU
Muhammad Sani Abubakar BOKA
Salisu S. Fulani NADELU
Nura Muhammad Mado ABOKI
Abba Kabugawa DAN UWAN AMADU
Hauwa Muhammad Fagge MATAR SARKIN MAYU
Dan’azumi Baba NAMALLE
Hamisu Lamido Iyantama LIKITAN AMADU(ANCOLOGIST)
Surayyah Aminu LIKITAN YOYON FITSARI
Abdullahi Adamu M.SHAWARAN YOYON FITSARI
Minal Ahmad LAMINDE
Kabiru Lawal warure NURSE1
Lawiyyah Mu’azam Kaduna NURSE2
Maryam D. Yaro NURSE3
Maryam Abdullahi NURSE4
Khadija Muhammad Maiduguri NURSE5
Jamila Abdulhamid NURSE6
Maimuna Muhammad NURSE7
JINAIDU Sadiq Ahmad MAIRAMA Amina A. Shehu (Lulu) AMADU Sadiq Sani Sadiq TABAWA Asama’u Sani MALAM ILU Ado Ahmad Gidan Dabino GOGGO KAKAR MAIRAM Ladin cima DELU Libabatu Madaki DELA Farida Adamu, KAWU ALI Abubakar Waziri (Bado) MAHAIFIN AMADU Auwalu Mashal UWA Fadila Usman KAWU DAN JUMA Musa Kallah MAHAIFIN JINAIDU MALAM IBRAHIM Shehu Hassan Kano MAHAIFIYAR AMADU Hajara Usman KANDE Fati Abdullahi INNO Fati Hamza Adam INDO Fa’iza Abubakar HALIMA Hasina Iliyasu INGOZOMA Rabi Sufi MALAM SHEHU Inuwa Iliyasu LADI Bulki Abdullahi SARKIN MAYU Iliyasu Muhammad Boka TALLE MAI NAMA Nura Sharif Ibrahim SADAU Surajo Ahmad Suji CANGE Tijjani Abdullahi Asase ISUHU Abdullahi Muhammad Dausayi ADA Umar Labaran Gombe KAKAR JINAIDU Duduwa Muhammad BOKA Muhammad Sani Abubakar NADELU Salisu S. Fulani ABOKI Nura Muhammad Mado DAUDA Sulaiman Muhammad Sulaiman DAN UWAN AMADU Abba Kabugawa MATAR SARKIN MAYU Hauwa Muhammad Fagge NAMALLE Dan’azumi Baba LIKITAN AMADU (Ancologist) Hamisu Lamido Iyantama LIKITAN YOYON FITSARI Surayya Aminu MALAMIN SHAWARA YOYON FITSARI Abdullahi Adamu LAMINDE Minal Ahmad NURSE 1 Kabiru Lawan Warure NURSE 2 Nawiyya Mu’azzam Kaduna NURSE 3 Maryam Abdullahi NURSE 4 Maryam D. Yaro NURSE 5 Khadija Muhammad Maiduguri NURSE 6 Jamila Abdulhamid NURSE 7 Maimuna Muhammad
KAKANDA’S GALLERY
